Susanna Clarke: âNeil Gaimanâs The Sandman taught me to be courageous in writingâ
The book I am currently reading
Mark Vernonâs Danteâs Divine Comedy: A Guide for the Spiritual Journey. Itâs partly an introduction to the epic and fantastic journey Dante undertakes, but more importantly itâs about reading The Divine Comedy as a way to change your own consciousness. There are insights on every page.
The book that changed my life
All sorts of books throughout my life have nudged me this way and that â like winds in a sail, I suppose. I hope they continue to do so. From Charles Palliserâs The Quincunx I learned that you didnât have to write a 21st-century novel if you didnât want to; you could write a 19th-century one. From Neil Gaimanâs The Sandman I learned to be courageous in writing. This question also works the other way round: my life keeps changing books. Jane Austenâs Emma is quite different today from when I read it first as a teenager.
The book I wish Iâd written
The Man Who Was Thursday by GK Chesterton. Itâs an extraordinary novel, funny and clever. It is subtitled A Nightmare. But itâs an odd sort of nightmare â one where terror keeps dissolving into cheerfulness (which is the opposite way round from most nightmares, and from a lot of contemporary fiction). Chesterton describes scenes and objects and colours with an almost heraldic vividness â or, looked at another way, as if they were pages in a modern graphic novel. He makes London feel like a fairytale, which to him I think it was. I have read The Man Who Was Thursday many, many times, but I still donât understand it. Iâll keep going.
A word of warning: it is a book of its times. There are no women characters. Well, there might be one, but she says three things and vanishes immediately.
A still from the 2005 film adaptation of The Chronicles of Narnia: The Lion, the Witch and the Wardrobe. Photograph: Phil Bray/Ronald GrantThe book that had the greatest influence on my writing
Probably CS Lewisâs Narnia series. Or possibly Ursula K Le Guinâs Earthsea (the original trilogy). In the end it is impossible to get this down to a single book: apart from anything else, I suspect that the strongest influences are probably not conscious. After I had finished writing Piranesi I reread Jorge Luis Borgesâs short story âThe House of Asterionâ, which I hadnât read since my 20s and which contains a labyrinth. I thought that there would be a connection between them, but I was stunned to find all these details in the Borges story which Iâd no memory of but which had echoes in Piranesi.
The book I think is most underrated
Till We Have Faces by Lewis. It is a retelling of the Psyche and Cupid myth, set in a barbaric country contemporary with Classical Greece. One of the things it is about is the friction between those who have faith and those who donât. The book has an unusual generosity in that it takes both sides seriously. The kindest, noblest character is a Greek philosopher and atheist. Itâs as if Lewis made a portrait of his fiercest critics and said: âThis is a good and admirable man.â
The book I couldnât finish
The White Hotel by DM Thomas. It is an extraordinary book and caused a great sensation when it was published in the 1980s. I remember reading it on a train. I was getting towards the end and in the midst of a description of a massacre of Jews in Ukraine during the second world war the train pulled into Nottingham station and I had to get off. Afterwards I lacked the courage to go back to the horror of Babi Yar and so I never actually finished the book. Not a fault in the book, a fault in me.
The last book that made me cry
The Book of Margery Kempe. The part where Margery (the first woman to write her autobiography in English) goes to meet Julian of Norwich (the first woman to write any sort of book in English). Margery was a rather anguished person, constantly wondering which of her many and varied impulses came from the devil. Julianâs response to her is full of encouragement and Margeryâs admiration of Julian shines through. A meeting between two extraordinary women in the 15th century and we have an account of it.
The last book that made me laugh
Probably Neil Gaimanâs The Graveyard Book. Sad and funny all at once.
The book Iâm ashamed not to have read
Iâm not fond of the idea that there is a list somewhere of books that you âoughtâ to read. There are too many âoughtsâ already. Read the books that help you flourish, that enlarge your world. Your books are bound to be different from other peopleâs. For myself I would like to be enlarged by reading more poetry and finding a way into Dostoevsky.
The book I give as a gift
I try to give books that I think the person will like. I gave Richard Osmanâs The Thursday Murder Club as a Christmas present to my husband because he loves detective stories and he loves Richard Osman. But, as my husband knows, the same is also true of me. So on Christmas Day we solemnly exchanged copies of The Thursday Murder Club.
My earliest reading memory
I remember being taken to a library and being allowed to choose a book. I chose one of Alison Uttleyâs Little Grey Rabbit books. Then we went home and I took my coat off and read the book. When I finished I imagined we would immediately go back to the library to get another one. But apparently thatâs not how it works. I had to wait a whole week. A whole week.
My comfort read
When I was in hospital five years ago, I pretty much reread all of Diana Wynne Jonesâs books. I love her take on how magic works, I love her characters, I love her stories. I love pretty much everything about her.
Susanna Clarkeâs Piranesi (Bloomsbury, £14.99) is shortlisted for the Womenâs prize. To support the Guardian and the Observer buy a copy at guardianbookshop.com. Delivery charges may apply.